DEGANZ member Joe Murdie is seeking support on Boosted for his short film, Planet 13.
Set in 2093, the film takes place on a rabidly dying planet, ravaged by human activity, and devoid of natural fuel resources. With the planet on the brink of collapse, a young couple set out on a dangerous journey to secure the scarce resources needed to escape to a new world, where they can, hopefully, start afresh.
Written and to-be-directed by Joe, the film reflects on humanity’s complacency towards the state of the earth, speculating on the idea of a backup planet. The title is even a witty reference to the idea of a ‘Plan B’.
The film aims to appeal to sci-fi lovers, honing in on the dystopian space aesthetic, while also striking a chord with those who are passionate about the climate crisis.
Joe shares,
I’ve always been passionate about the environment and have worked on a number of factual pieces looking at different aspects of human impact on the earth. This film stems from the a idea of if we were too start fresh on a new planet, with our current knowledge and access to technology, etc, would we act differently?
The team is aiming to raise $25,000 to begin principal photography in February 2024. The funds will cover talent, additional crew, location permits, and specialist props, hair, and makeup costs.
https://www.deganz.co.nz/wp-content/uploads/2023/12/Planet-13-1.jpg4561200admin/wp-content/uploads/2021/10/DEGANZ_logo_home.pngadmin2023-12-06 10:10:142023-12-07 11:54:52Murdie’s Out of This World Boosted Campaign
The vision of the Incubator is to empower participating directors with confidence, knowledge and connections. The Incubator is intended for emerging debut directors of feature film (drama or documentary) and will also consider those wishing to establish careers in TV drama and scripted content.
Applicants must apply with a project; however, the Incubator will be focused primarily on the filmmaker’s development rather than project development.
The objectives of the Incubator are:
Increase the number of women directing features and TV dramas.
Connect producers, broadcasters, funders and other industry professionals with women directors to get stories from women’s perspectives into and through development.
Create networking opportunities for women directors to further their projects and careers.
Inspire and encourage directors to passionately pursue feature film and drama directing careers through interaction with successful filmmakers who serve as role models.
Improve directors’ understanding of the business of film and television drama.
Workshops
Participants will attend five one-day workshops across 2024, the first of which is scheduled to take place in March. All workshops are intended to be held in Auckland, and a travel allowance will be available for participants based in other regions.
The workshops are individually themed to provide specific knowledge, networks, skills, and inspiration that enable participants to advance themselves and their careers. As the global screen industry continues to change, DEGANZ will remain flexible as to the content of the programme and aim to incorporate information and opportunities that are relevant.
Eligibility
All applicants should have a considerable level of directing experience, such as acclaimed web series, shorts with festival success, TV commercials, or broadcast content.
Applicants must:
Have an active project (feature film, documentary feature, telefeature, TV/online drama or scripted series) in development that has never been presented to a broadcaster or funder. It is preferable that the project is at least a first draft script but if not available, there must be a detailed Writer’s Treatment (10 – 20 pages) for the project, if a narrative feature, or a pitch document for a documentary feature. A Director’s Treatment that includes style, tone, imagery, etc. is not requested but can be supplied in addition to the Writer’s Treatment. For a TV or web series, a pitch deck with a series outline, character descriptions and synopsis of the first episode is required. The applicant does not have to be the writer of the project.
Have experience as a director of scripted content (drama, comedy) or documentary in the form of the project they are submitting (i.e., if you are applying with a narrative drama project, you must have experience directing narrative drama, or if it’s comedy, experience directing comedy, etc.)
Have a directing credit on one of the following:
a short film selected for one of the NZFC’sRecommended Short Film Festivals, the New Zealand International Film Festival, Show Me Shorts Film Festival or Doc Edge Festival.
a commissioned, scripted one-off or series by a broadcaster or digital platform.
a self-funded web series that has won or been nominated for an award at a recognised festival.
For feature films, applicants must be a debut director.
Be available to participate in all workshops.
Identify as a woman.
Be an NZ Citizen or permanent resident.
Membership
Successful applicants must be DEGANZ Full members for at least the duration of the Incubator programme.
Selection Process
A selection panel will shortlist candidates. Shortlisted candidates must be available for a one-on-one interview via Zoom in mid-February. Getting an interview does not imply that you have been selected for the Incubator.
If shortlisted, you will be expected to immediately supply the required written documents prior to the interview.
The Incubator participants will be selected from the shortlist following the interview.
Decisions will be final and no correspondence will be entered into.
How to Apply
Application Deadline: 10AM, Monday 5 February 2024
As a Guild, we fully appreciate the mahi and dedication that goes into creating screen content. As such, we celebrate the efforts of all of our members when they release their work. We appreciate that some work is controversial – particularly in the documentary genre – and It should be noted that acknowledging its release does not necessarily mean that DEGANZ endorses the content or message of the work. We congratulate those who have released content this year and we wish all of our members the best in completing their projects – we know it’s tough out there! Please contact DEGANZ if you need help or advice.
E te tī, e te tā nei rā te mihi manahou ki a tātou ngā mema o DEGANZ.
Ko tātou ngā kaitiaki, e haere tonu ana i ngā mahi o rātou mā, kia eke ngā kaitohu me ngā kaiwāwahi ahua o Aotearoa ki ngā taumata e hiahia ana.
https://www.deganz.co.nz/wp-content/uploads/2023/11/Promotion-of-Members-Films.png4561200admin/wp-content/uploads/2021/10/DEGANZ_logo_home.pngadmin2023-11-23 13:42:042023-11-23 20:34:48Promotion of Member’s Films
Pictured above from left to right: Ben Powdrell, Celia Jaspers, Grant Campbell, Howard Taylor, Sam Kelly, Robyn Paterson, Tui Ruwhiu, and Bryce Campbell.
Earlier this year, the DEGANZ board put forward a motion to give life memberships to dedicated past board members, editor Annie Collins and directors Grant Campbell and HowardTaylor, for their significant contributions to DEGANZ and the Aotearoa screen industry. The votes were unanimous in passing the motion at the Extraordinary General Meeting in August.
Now, DEGANZ celebrates these long-time board and guild members and awards them their life membership certificates. To commemorate the occasion, DEGANZ hosted a lunch. Unfortunately, Annie was unable to attend due to Covid, but later received her certificate at the 2023 combined Screen Guilds Christmas party in Wellington.
Read more about the new life members below:
Annie Collins
Annie has been editing film since 1975, beginning on celluloid through to digital and across multiple formats. Since joining the DEGANZ Board, she has prioritised skills training and workflow knowledge not only for editors and assistants but across the spectrum for all involved in the film industry. She continues both editing and training while putting energy into the government reform of tertiary education for the film industry.
Annie served on the board from 2016 till she stepped down in 2023.
I am humbled to be recognised in this way by DEGANZ. The work of all the Guilds and industry Associations is extremely important for the well being of each person who works in the industry, and therefore affects the well being of the film industry itself. To have had the opportunity to be part of Guild work has been fantastic, and life membership means having an ongoing part in that developing vision. Thank you DEGANZ.
– Annie Collins
Grant Campbell
Grant Campbell is a producer, writer and director who has worked across documentary, comedy and drama in Los Angeles, Australia, the Pacific Islands and New Zealand. Notably, he produced the classic Kiwi documentary Cinema of Unease.
Grant was a founding board member of DEGANZ, and remained on the board until stepping down in 2017. He is a past DEGANZ representative on the Australian Screen Directors Authorship Society (ASDACS).
Howard Taylor
Howard Taylor is a Wellington-based writer, director and producer. After training as a film editor with the NZ Broadcasting Corporation in the early 1970s, he produced Country Calendar and was a field director on the arts and magazine series Kaleidoscope, 10AM, and Sunday. He went freelance in 1995, working as a director and documentary maker for production houses including Ninox Films, Greenstone Pictures, Natural History New Zealand, and his own company, Howard Taylor Productions. He also stepped into the staged performance space, producing professional theatre for a stint in the 2010s. In recent years, Howard returned to his roots to direct Country Calander.
Howard was pivotal to DEGANZ’s origins as a founding board member of the guild, serving for 26 years. He was Board President for his final five years before stepping down.
Working for the Guild and, by extension, the welfare of its members has been hugely satisfying. The thing I am probably proudest of is giving the Guild a bit more muscle by working with Tui to get it registered as a union with the CTU. Copyright has been an ongoing issue. Back in 2006 ED at the time Anna Cahill and I appeared before the government’s select committee to argue for directors copyright. We were green and very disappointed when the great reception we received didn’t produce a change of the law. We were better prepared and more sophisticated planning the campaign in the latest (still on-going) Copyright Review. I wish the current board the best in the on-going fight.
https://www.deganz.co.nz/wp-content/uploads/2023/11/Life-Members.jpg4561200admin/wp-content/uploads/2021/10/DEGANZ_logo_home.pngadmin2023-11-23 13:41:402023-12-11 15:00:52DEGANZ Welcomes New Life Members
After the Party is out now on TVNZ+, with new episodes releasing each week. DEGANZ member and Incubator alum, Stella Reid, worked on the show through a Director’s Attachment.
Stella joined director Peter Salmon through pre-production, shooting, and parts of post-production as an active observer. She shared,
I saw this opportunity as an investment in my career. I aim to shoot long form content, so it was invaluable to witness Peter’s methodology — well paced and technically proficient. He could balance an economy of coverage by envisioning the edit while shooting.
As production got busier, Stella was entrusted to direct and shoot supplementary content with a splinter unit. She told DEGANZ how grateful she was that the attachment also allowed for hands-on experiences and the opportunity to work with that team.
In addition to the professional development side of the attachment, Stella was also drawn to the show itself. Set in Wellington, the gritty drama series follows Penny, played by Robyn Malcolm, after she accuses her husband of assaulting her teen daughter’s friend at a party. Years later after the accusation, people still don’t believe her and she struggles to keep her life together. She said,
Many aspects of the story pulled me in. I’m writing a feature with two older female characters, and I’m also a lifelong Wellingtonian. I find such beauty in the south coast, and am pleased to see it be a character in the show.
Congratulations to Stella for completing the attachment! It’s always great to hear what members get out of DEGANZ’s talent programmes.
This DEGANZ Director’s Attachments was funded by New Zealand on Air and the New Zealand Film Commission.
https://www.deganz.co.nz/wp-content/uploads/2023/11/After-the-Party.jpg4561200admin/wp-content/uploads/2021/10/DEGANZ_logo_home.pngadmin2023-11-22 19:53:422023-11-22 19:53:42Reid’s Director’s Attachment on ‘After the Party’
