DEGNZ Selects presents this special director’s masterclass on 21 March with Lion and Top of the Lake director Garth Davis. Garth will discuss in depth the making of his latest feature Mary Magdalene, to be released in cinemas on 22 March starring Rooney Mara and Joaquin Phoenix. Participants are encouraged to watch Mary Magdalene before the class – see below for advanced screenings.

Garth is BAFTA- and Emmy-nominated for Top of the Lake, DGA Best First Feature winner for Lion, and Gold Lion winner for his TV commercials work. This masterclass is a rare opportunity to engage with a much sought after director on the international scene.

mary magdalene

When: Wednesday 21 March, 9am – 12pm

Where: Hawke Sea Scouts Hall, 55 West End Road, Herne Bay, Auckland

Cost: DEGNZ members free, Non-members $50.

 

Application Deadline: Wednesday 14 March, 6pm

TO APPLY please send your application in ONE PDF or DOC to admin@deganz.co.nz with ‘DEGNZ Selects’ in the subject line. In your application, please provide:

  • your CV/bio with filmography
  • a maximum one-page letter explaining why you would like to attend the workshop
  • your mobile number.

 

Thanks to Garth Davis, The Equity Foundation, the New Zealand Film Commission and the Australian Department of Foreign Affairs and Trade for their support of this event. 

Selects logo_CMYK

Advanced screenings of Mary Magdalene:

Preview Screening + Garth Davis Q&A
by The Equity Foundation
Mon 19 March, 6pm
Rialto Cinema Newmarket
Free to industry guild members – Register here

Film Talk with Garth Davis Q&A
Sun 18 March, 5pm
Rialto Cinema Newmarket
$12 discounted tickets for industry members – Buy here

Rehearsal & Performance logo

DEGNZ invites directors and actors to register their interest in the first Wellington edition of Rehearsal & Performance, taking place on April 7.

Director Michael Duignan (Go Girls, The Blue Rose) will share his insights into how directors and actors can work better collaboratively to achieve great on screen performances.

This is a practical half-day workshop focused on giving participants tools to build better director/actor relationships. Participants will spend time exploring and rehearsing a scene in groups (one director, two actors) in a safe and non-pressured environment with guidance from Michael.

The selected directors and actors will be expected to do some preparation beforehand – DEGNZ will provide the scene in advance.

Directors and actors register via Eventbrite by Friday 23 March, 12 noon. Spots are limited to four directors and eight actors. If selected, DEGNZ will contact you directly to confirm your participation.

What: Rehearsal & Performance with Director Michael Duignan – Wellington

When: Saturday 7 April, 9am – 2pm; lunch provided

Where: Te Aro, Wellington

Cost: Free; workshop is restricted to members of DEGNZ and Equity NZ only.

Register at: Eventbrite

Michael Duignan

Michael Duignan is a writer/director creating film, television, commercials and photography. His short films have screened all around the world including the New York Film Festival, BFI London Film Festival and many others. Michael has directed episodes of top rating and critically acclaimed shows The Cult, Go Girls and The Blue Rose which was nominated at the 2013 Monte Carlo TV festival alongside Breaking Bad, The Killing and Homeland. He was recently awarded a writing residency at Studio One Toi Tu where he continued to develop a number of feature film projects.

Rehearsal & Performance is hosted by Directors & Editors Guild of NZ and supported by the Equity Foundation. This series is made possible with funding from the New Zealand Film Commission.

The DEGNZ Drama Editor Attachment Scheme is a new initiative giving emerging drama editors the opportunity to advance their craft through shadowing and mentoring from an experienced drama editor.

Emerging drama editors are invited to apply for our first DEGNZ Drama Editor Attachment to editor Paul Sutorius on a telefeature about to go into production directed by John Lang.

Paul Sutorius is an highly experienced award-winning editor whose career spans feature films (Home By Christmas), documentary (Aspiring) and TV drama (800 Words, Until Proven Innocent). He is a longtime collaborator of director Gaylene Preston, beginning with Ruby and Rata in 1990, which won him a NZ Film and Television Award, and most recently My Year with Helen.

 

This initiative is targeted at editors who wish to move into feature film editing. It’s purpose is to allow an emerging drama editor to:

  • learn through attendance during editing, and later at director, producer and or funding body screenings about the critique and response process so vital to the successful creative collaboration required of the feature film editor.
  • get on-the-job feature-editing experience
  • receive feedback and mentoring from an experienced feature film editor in a safe environment

The opportunity for the attachment to get hands-on cutting experience is possible but entirely at the discretion of the editor, director and producers of the production. This opportunity may be limited due to the fast post-production pace required of this particular production.

This is a paid attachment and requires the successful candidate to start on 19 March 2018 in Auckland. They are also required to be a full member of DEGNZ to secure the attachment.

The duration of the attachment would be up to a maximum of 30 full days, but may well be broken down into a mixture of full days and half days. The first two weeks from 19 March are expected to be full time.

 

To be eligible, applicants MUST:

  1. Be a FULL member of DEGNZ
  2. Be fully competent with the AVID editing system
  3. Have some past dramatic narrative editing experience (does not have to be extensive)
  4. Be available to participate fully during the post production period, starting 19 March
  5. Most importantly, have a passionate desire to become a feature film editor

 

TO APPLY

Please send your application in ONE PDF or Word DOC to admin@deganz.co.nz with ‘Editor Attachment’ in the subject line.

Application Deadline: 5PM Wednesday 7 March 2018

Your application must include:

  • a maximum 1-page letter on why you would like to do the attachment
  • a completed Editor Attachment Application Form Cover Sheet. Download it here
  • your CV and filmography, including links to existing work

We will notify you as to whether or not your application has been successful, but the decision will be final and no further correspondence will be entered into regarding your application.

We look forward to receiving your applications.

 

This initiative has been made possible with the support of the New Zealand Film Commission.

FOR IMMEDIATE RELEASE 

26 February 2018

The Directors & Editors Guild of New Zealand (DEGNZ) is delighted to announce the eight female directors who will participate in its second Emerging Women Filmmakers Incubator. They are:

Chantelle Burgoyne

Linda Darby-Coring

Hiona Henare

Abi King-Jones

Agnes Peel-McGregor

Lauren Porteous

Michelle Savill

Asuka Sylvie

“It was a difficult decision but we feel that we have with this group, filmmakers who show real promise in moving rapidly towards their first major projects and sustainable careers as directors.”“Once again the selection panel were impressed by the range of talented candidates who put themselves forward for this initiative,” said Executive Director of DEGNZ Tui Ruwhiu.

The Incubator is a targeted initiative designed to give emerging female directors the opportunity to build their knowledge, skills and networks as a means to advance their careers and projects in the screen industry.

Each workshop in the programme will bring in highly successful filmmakers and experts in a stepped approach that will develop participants’ confidence and capability to engage with the screen industry as they seek to get their own projects through development and into production.

The workshop series will start in Auckland in March 2018 and run through to year’s end.

This initiative is supported with financial assistance from the New Zealand Film Commission and Vista Foundation.

ENDS

For further information, please contact:

Tui Ruwhiu
Executive Director
Directors & Editors Guild of NZ
tui@deganz.co.nz
021-659-950

The New Zealand Film Commission invests in original and culturally significant films, encourages talented New Zealand filmmakers through developing career pathways and facilitating connections offshore, and works to increase the number of people seeing New Zealand films here and overseas.  It supports the growth of economic activity and helps ensure New Zealand has sustainable screen sector businesses operating within an internationally competitive screen sector.  The NZFC also helps negotiate co-production treaties and certifies co-productions and New Zealand films for tax purposes. www.nzfilm.co.nz

The Vista Foundation was set up to foster a viable, successful, and inclusive local film industry in New Zealand. By providing support and education for necessary skills and expertise, the Foundation encourages the production of exceptional works of New Zealand cinema, and the extension of the available opportunities to wider groups and individuals. The Vista Foundation is the primary social responsibility initiative of film industry technology company Vista Group.

The Directors & Editors Guild of NZ is a not-for-profit membership organisation that represents Directors and Editors in the New Zealand screen industry. This includes Directors and Editors of feature drama and documentary; television drama, documentary and factual programmes; short films; video art; animation; commercials and web content.

DEGNZ’s two primary roles are advocacy and professional development. We:

  • are dedicated to promoting excellence in the arts of directing and editing.
  • foster collegiality and unity within the screen industry.
  • promote members’ creative and economic rights.
  • work to improve industry working conditions and remuneration.
  • offer professional advice and information on contracts and industry standards and practice.
  • offer professional development events, networking opportunities, career advice, dispute resolution, mentoring, workshops, training, discounts and regular news bulletins for members across all levels of expertise, from novices to seasoned professionals.
  • is a voice for Directors and Editors in influencing policy in the interest of our members. We do this through our membership of the pan‐industry group SINZ (Screen Industry New Zealand), and by making submissions to government and public officials.
  • Internationally work co-operatively with other guilds and we belong to the International Affiliation of English‐Speaking Directors’ Organisations (IEASDO).

DEGNZ is Auckland-based with an office in Grey Lynn.

Contact Details:

Directors & Editors Guild of NZ
Level 2, 66 Surrey Crescent, Grey Lynn
P.O. Box 47-294, Ponsonby
Auckland
+64-9-360-2102
www.deganz.co.nz
www.facebook.com/degnz
www.linkedin.com/in/degnz
@degnz_online

Young Creators: Get Your Foot In the Door

With a million paths to choose, it’s easy to feel lost when you’re starting out in the screen industry. 
How do you get your foot in the door? What does that even mean?

At this Q&A, four emerging directors and editors will discuss breaking into the industry and the different ways they did it. We’re pumped to announce our panelists are directors Hanelle Harris and James Solomon; and editors Brendon Chan and Dione Chard!

Thu 8 March  //  Talk kicks off 7 – 8:30pm
Join us for a drink before & after!

VENUE CHANGE: Horse and Trap, 3 Enfield Street, Mt Eden, Auckland

Door Entry: 
DEGNZ members – Free 
Non-members – $5 koha appreciated

DEGNZ Young Creators is a programme of events with a mission to inform and inspire younger or emerging directors and editors to build successful, sustainable careers in the screen industry.

Join the Event