Last week, Guild President Howard Taylor and I attended the General Assembly of the International Confederation of Societies of Authors and Composers (CISAC), and the Executive Committee meeting of Writers & Directors Worldwide (W & DW) in Tokyo.

The primary purpose for attending was to gain international support from the two bodies for DEGNZ’s efforts to win economic rights for directors in New Zealand.

Working with W & DW, we tabled a resolution to CISAC calling on the NZ Government to support the assigning of economic copyright to directors in New Zealand. The resolution was passed at the General Assembly.

Writers and Directors Worldwide Executive Committee meeting.

Another reason for our attendance was to participate in the formulation of an alliance of Guilds and Collective Management Organisations (CMOs—an example being ASDACS, the collection society for directors in Australasia) in the Asia-Pacific to strengthen our international presence in the region, and to work collaboratively with those bodies on areas of mutual interest.

DEGNZ President Howard Taylor signed a Memorandum of Understanding (MOU) together with the Directors Guild of Japan, the Directors Guild of Korea, the Australian Directors’ Guild, The Australian Screen Directors Authorship Collecting Society (ASDACS) and the Australian Writers’ Guild. We expect the number of bodies participating in the alliance to expand to other countries in the Asia-Pacific over time.

The MOU supports the formation of the Alliance of Asia-Pacific Audiovisual Writers and Directors (AAPA) for the purpose of:

  1. Serving as an independent and impartial advocate on behalf of the audiovisual creators’ community in the Asia-Pacific region;
  2. Seeking to strengthen copyright protection and to further the interests of audiovisual creators in the Asia-Pacific region.

In order to fulfil these goals:

  1. AAPA shall work with the support of Writers & Directors Worldwide to participate in the campaigns and activities of W & DW;
  2. AAPA shall establish further strategic alliances with similar audiovisual organisations in other territories globally.

DEGNZ President Howard Taylor signs MOU for Alliance of Asia Pacific Audio-visual Writers and Directors.

What became abundantly clear in our discussions with the Japanese and Korean directors guilds was that we are all in the same boat—directors in the Asia-Pacific and in many other countries do not have economic rights in their works, and consequently many struggle to have sustainable careers.

Our involvement with CISAC, W & DW and now AAPA are all geared towards achieving fair remuneration for directors in New Zealand, and elsewhere. This has long been a focus of CISAC and particularly W & DW internationally, and they have had a number of wins, most notably in South America.

Directors guilds and Writers and Directors Worldwide at the offices of the Directors Guild of Japan.

DEGNZ until now has essentially been standing alone in its efforts to win economic rights for directors, although we have received considerable support and assistance from the Australian Directors Guild and maintain relationships with the Directors Guild of America and Directors UK.

Participating collaboratively at an international level in order to win fair remuneration for directors only strengthens our efforts to do so here for New Zealand directors.

We look forward to collaborating with our international counterparts, particularly in the Asia-Pacific, as we continue to push for fair remuneration.

Tui Ruwhiu
Executive Director

Rehearsal & Performance logo

The Rehearsal & Performance series provides regular opportunities for directors and actors to practise their craft. Each workshop brings in an experienced moderator to guide participants as they explore a workshop scene in groups (one director, two actors) in a safe and non-pressured environment.

The Guild is pleased to present the next two workshops in Christchurch and Auckland with director Chris Dudman.

Moderator

Chris DudmanChris Dudman’s career has involved writing and directing short films, commercials, feature and series documentary and series TV drama. He directed short film successes The Graffiti of Mr Tupaia and Choice Night, and later co-wrote and directed Harry, the gritty crime drama series starring Oscar Kightley and Sam Neill. He wrote and directed The Day that Changed My Life, the multi-award winning documentary about Christchurch’s devastating earthquake, and directed two standalone episodes of James Patterson’s true crime anthology series Murder is Forever. He’s currently writing an adaptation of Archibald Baxter’s memoir We Will Not Cease. Chris was also a longtime partner of and director at Auckland TV commercials company Robber’s Dog.

Preparation

Selected directors and actors will be expected to do some script prep beforehand. DEGNZ will provide the scene at least one week in advance.

Auckland

When: Sun 30 June, 9am – 2pm
Where: Venue TBC, Auckland
Cost: DEGNZ/Equity NZ members – Free

Christchurch

Click here to register for Christchurch

Register your interest (Auckland)

Registrations close Wednesday 12 June, 3PM.

Spots are limited to four directors and eight actors. If your name is selected, DEGNZ will contact you directly to confirm your participation. Only members of DEGNZ and Equity NZ are eligible to register.

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The Rehearsal & Performance series is hosted by Directors & Editors Guild of NZ with the support of Equity New Zealand and funding from the New Zealand Film Commission.

Rehearsal & Performance logo

The Rehearsal & Performance series provides regular opportunities for directors and actors to practise their craft. Each workshop brings in an experienced moderator to guide participants as they explore a workshop scene in groups (one director, two actors) in a safe and non-pressured environment.

The Guild is pleased to present the next two workshops in Christchurch and Auckland with director Chris Dudman.

Moderator

Chris DudmanChris Dudman’s career has involved writing and directing short films, commercials, feature and series documentary and series TV drama. He directed short film successes The Graffiti of Mr Tupaia and Choice Night, and later co-wrote and directed Harry, the gritty crime drama series starring Oscar Kightley and Sam Neill. He wrote and directed The Day that Changed My Life, the multi-award winning documentary about Christchurch’s devastating earthquake, and directed two standalone episodes of James Patterson’s true crime anthology series Murder is Forever. He’s currently writing an adaptation of Archibald Baxter’s memoir We Will Not Cease. Chris was also a longtime partner of and director at Auckland TV commercials company Robber’s Dog.

Preparation

Selected directors and actors will be expected to do some script prep beforehand. DEGNZ will provide the scene at least one week in advance.

Christchurch

When: Sat 29 June, 9am – 2pm
Where: Rangi Ruru Girls’ School, 59 Hewitts Road, Merivale, Christchurch
Cost: DEGNZ/Equity NZ members – Free, Non-members – $29

Auckland

Click here to register for Auckland

Register your interest (Christchurch)

Registrations close Wednesday 12 June, 3PM.

Spots are limited to four directors and eight actors. If your name is selected, DEGNZ will contact you directly to confirm your participation.

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The Rehearsal & Performance series is hosted by Directors & Editors Guild of NZ with the support of Equity New Zealand and funding from the New Zealand Film Commission.

Howard Fine

Directors & Editors Guild of NZ is pleased to offer a Directing Masterclass with acting coach Howard Fine who for over a quarter of a century has built an unshakable reputation as one of the most gifted acting teachers of his generation.

In this Directing Masterclass, Howard will supervise the directors to work with an ensemble of paired actors on pre-selected scenes.

Howard will teach directors how to articulate their visions in a way that allows actors to live authentically within the world of the script. He focuses on areas of personalisation, technique, script analysis and insights into authentic human behavior.

Background and Auditing

A two-day Masterclass for actors (Fri 21 – Sat 22 June) organised by Equity NZ will precede the Directing Masterclass (Sun 23 June). Each full day consists of rigorous exploration of technique as Howard works with the ensemble of actors on pre-selected scenes. The same actor pairings and scenes will be used for the three days.

It is highly recommended that prospective directors also “audit” both days of Howard’s acting Masterclass as this will greatly enhance and inform their understanding of the work undertaken in the workshop. It is also a wonderful opportunity to observe Howard’s technique, lessons and processes.

But it is permissible if prospective directors can only commit to Saturday and Sunday. You will be asked to indicate which days you can commit to in your application.

Note: Both Masterclasses will be open to Auditors from Equity NZ and DEGNZ. Any work done by the selected directors will be in front of an audience of industry peers in a supportive, learning environment.

About Howard Fine

Unique among his contemporaries, Howard is an award-winning acting coach, an award-winning author on acting and is the head of an award-winning acting studio. Howard Fine has trained Oscar, Golden Globe and Emmy-winning actors in the US, and AFI, AACTA and Logie winning actors in Australia. He has personally coached many of the world’s most notable, recognisable and decorated actors, including Jennifer Connelly, Will Smith, Bradley Cooper, Chris Pine, and Oscar winner Jared Leto. As the Creative Director of two permanent studios, Howard Fine splits his time between Los Angeles and Melbourne.

“Howard Fine is an extremely skilled teacher. He has the ability to help actors create beyond their own experience in a way that is both exciting and compelling. Personally, I feel he is one of the greatest acting teachers working today.”

Workshop Details

When: Sun 23 June, 9am – 6pm

Where: TBC, Auckland

Price: (includes auditing of acting Masterclass days) 
DEGNZ member – Free / Non-member – $60

How to Apply

Application Deadline: 9AM, Wednesday 5 June 2019

STEP 1: Submit your details using the form below.

STEP 2: Send in one PDF to tema@deganz.co.nz:

  • your bio and/or CV, and
  • a brief, maximum 1-page letter that summarises why you would like to participate.

Late or incomplete applications will not be accepted.

 

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This workshop is brought to you in conjunction with The Equity Foundation and with the generous support of the New Zealand Film Commission.

NZFCequityfoundation

DEGNZ invites New Zealand directors to apply for a 5-Day Travis Technique Intensive from August 14 – 18 in Auckland. The workshop is designed to fully immerse a small number of directors (max. 5) into STORY (Autobiographical Storytelling), CHARACTERS (Interrogation Process) and STAGING (Power of Placement). By practicing The Travis Technique on a story from their own life, directors will gain the confidence to apply their new skills to their own projects right away.

Based in California, Mark Travis trains directors in The Travis Technique worldwide.

Go beyond result directing and venture into inspired and impactful collaboration with your characters

The greatest obstacle for directors and actors is their desire to control the characters. Directors control by demanding results. Actors control by planning their performances, thereby effectively blocking the characters from emerging freely and organically.

The problem is that most directors are not given the training in how to engage with actors in a creative and collaborative way. Without these skills for inspiring and supporting the actors, directors will revert to result directing. This forces actors to fabricate the emotions and attitudes they think will please the director.

With The Travis Technique, directors can bring out the characters’ emotional truths from the actors without falling back on result directing. Actors can release their characters from within – complex and unpredictable, lusting and tumbling through the drama of their lives. Even the most vanilla scenes will start to breathe and pulse.

Once directors and actors have worked together in rehearsal, exploring the characters’ relationships and dynamics in the scenes, the quality of performances will be markedly heightened. During production, multiple takes can be tweaked quickly and efficiently, saving time and money.

“I love working with Mark. It’s as if he opens the top of my head and rummages around in there until all my internal voices are alive and conflict… then he calls action. I can’t plan or play it safe, I am forced to exist in the moment. It’s a gift for an actor.”

“I was fortunate enough to attend a 10 day intensive Mark Travis technique in [Los Angeles]. I found the workshop immensely beneficial. Especially in regards to workshopping characters, deepening my script and also blocking scenes in a more dynamic and interesting way.”

Zoe McIntosh

Our Tutors

MARK W. TRAVIS is one of the world’s leading authorities on the art of film directing, writing and storytelling. On-stage, he has directed over 60 theatre productions in Los Angeles and New York. Author of two important books on filmmaking and winner of over 30 directorial awards in theater, Mark Travis has developed a fresh and innovative approach to writing and directing that cuts to the living and breathing core of every story, script and character. Mark has taught his dynamic Travis Technique at over 50 film schools and director’s guilds around the world. Affectionately called “the director’s director,” Mark is in constant demand to consult on film projects worldwide.

ELSHA TAYA BOHNERT is an award-winning artist and poet, and the author of Don’t Trip over the Garden Hose (Deuxmers, 2013). Elsha has been a longtime student of Mark Travis’ autobiographical storytelling workshops in Hawai`i and is the only person authorized by him to teach it. With her background in multicultural learning and narrative medicine, she helps students learn The Travis Technique through playful and provocative games. “You have to be like an ancient four-year-old,” she says, “clueless and wise about the enchanted worlds we come from and still carry around in our bodies.”

Workshop Details

When: 14 – 18 August, Wed to Sun 9am – 6pm

Where: Samoa House, The Actors’ Program, 283 Karangahape Rd, Auckland

Price (Usually $4000 USD): 
DEGNZ member – $500
Non-member – $1000

Eligibility

To be considered for the course, directors must meet ONE of the following:

  • You’re in advanced development on a feature film (can be a debut feature).
  • You’re attached to direct scripted drama that’s likely to go into production.
  • You have directed on a feature film, scripted drama or telefeature.

What you will need

Selected directors will need to begin preparation two months prior in order to be best prepared to get the most out of the Intensive. Prep will begin with the assignment of writing a short 3-minute autobiographical story. Mark and Elsha will work with each director to develop the characters and deepen their story ahead of the workshop.

Note: Any work done by the directors will be observed in a supportive, collegial environment. This workshop will be open to observation by a modest-sized group of actors and fellow DEGNZ members.

To Apply

Application Deadline: 9AM, Monday 17 June 2019

STEP 1: Submit your details using the form below.

STEP 2: Send in one PDF to tema@deganz.co.nz:

  • your bio and CV, and
  • a brief, maximum 1-page letter that explains why you would like to participate. If you are in development, please provide details of the project, including what stage it’s in and key people.

Late or incomplete applications will not be accepted.

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This workshop is brought to you with the generous support of the New Zealand Film Commission.

NZFC