NZWG and DEGNZ are once again offering Virtual Table Reads for 2021.

Following the success of the virtual Table Reads during 2020, the 2021 Table Reads will take place online and script submissions are being accepted from NZWG and DEGNZ members around the country. The T&Cs as per our usual Table Reads apply.

Don’t miss out on this opportunity – this is a great development tool to help take your script to the next level. If you have a script ready with a director attached (or you are also directing) then submit it now. There are four reads this year, so note these deadlines in your diary:

Table Read One: 8 May 2021
Submit scripts by 30 April

Table Read Two: 3 July 2021
Submit scripts by 25 June

Table Read Three: 11 September 2021
Submit scripts by 3 September

Table Read Four: 20 November 2021
Submit scripts by 12 November

Learn more > 

Actors who would like to take part in a Table Read from the comfort of their own homes can apply here.

Doc Edge Festival has announced three films, which are set to screen as part of the 16th edition. One is High Tide Don’t Hide, directed by members of The Rebel Film Collective: Niva Kay (DEGNZ), Emily McDowell, Nia Phipps and Phil Stebbing.

In High Tide Don’t Hide, driven by the climate crisis, five teenagers in New Zealand join the global student protests. But when challenged by Pasifika students the movement has to confront its racial prejudices to lead one of the biggest strikes in the country’s history.

The 2021 Festival will be an all new fusion event, returning to Auckland and Wellington theatres while playing online across the nation. Doc Edge is continuing its commitment to offering unique experiences by working with New Zealand artists to create a festival village at each venue. Festival-goers will enjoy entertainment including art installations, live performances, and virtual and augmented reality exhibitions.

Read more

Congratulations are in order for the team behind Pain that includes director and Incubator alumna Anna Duckworth and editor Brendon Chan. The short, funded under the NZ Film Commission’s Fresh Shorts, has been selected for three international film festivals this month.

Their short drama will have its North American premiere in April at the Aspen Shortsfest, followed by the Stockholm International Film Festival Junior and the Busan International Short Film Festival.

Ko te manu e kai ana i te miro nōnā te ngahere, 
ko te manu e kai ana i te mātauranga nōnā te ao.

‘The forest belongs to the bird who feasts on the miro berry, 
the world belongs to the bird who feasts on education’.

Two-Day Workshop for Maori Editors 17 & 18 April

This workshop is for emerging to mid-level Maori editors with a focus on preparing you to transition to independent drama productions.

Tikanga Maori will be in place, some tutors are te reo speakers, and te reo is welcomed in the workshop.

We will cover:

  • setting up an Editorial department
  • interaction with the pre-production and production crew
  • scheduling an edit
  • setting up the workflow systems from camera originals through to handovers to independent post houses (sound design, picture conform, composer, VFX, titles graphic artist)
  • relationships with other departments including producers and directors
  • handling screenings, and giving and receiving feedback.

The focus is on managing an independent Editorial department for an independent production, not on how to edit – it is assumed that you know how to edit and you have your own style and vision that you should retain. The workshop will use Avid Ultimate 2020.8, and you are urged to familiarise yourself via online tutorials.

The workshop commences at 9:30am each day, finishing around 4:30pm with capacity for a chat, or a little extra time for finishing a task until 5:30pm if required. Lunch is provided, tea and coffee for morning and afternoon breaks.

Limited Spaces. We will email you to confirm whether you’ve been accepted.

Workshop Details

Ngā Kaiwhakahaere: Hineani Melbourne (NAW) & Tui Ruwhiu (DEGNZ)

Ngā Kaiako:

Te Rurehe Paki (editor Merata: how Mum Decolonised the Screen, Vapnierka, Making Good Men, The Gravediggers of Kapu)

Annie Collins (editor Coming Home in the Dark, premiere Sundance 2021)

Location: South Seas Film School Campus – Yoobee Colleges, Unit 6/75 Ellice Road, Wairau Valley, Auckland 0629

Price: Workshop offered free of charge because of the COVID-19 pandemic.

Travel Allowances: If selected to attend, DEGNZ and NAW members may apply for financial assistance of up to $150 (incl. GST) towards their travel costs. To be eligible:

  • Applicants must live in New Zealand outside the Auckland region.
  • Applicants must be a current member of DEGNZ or NAW.
  • There are up to 8 travel allowances available for this workshop.

 

Application Form

Applications Deadline: Friday 9 April, 2PM

Loading…


Brought to you by Ngā Aho Whakaari and the Directors & Editors Guild of NZ

       


with the generous support of the
New Zealand Film Commission.

NZFC

 

For the first time in its five-year history and as part of its Diversity focus, the DEGNZ Emerging Women Filmmakers Incubator for 2021 will focus solely on a Diversity call for applications.

The Directors & Editors Guild of NZ welcomes applications from Māori, Pacific Island, Pan-Asian and other POC female directors to take part in this talent development programme.

Background

The overall vision of the DEGNZ Women Filmmakers Incubator is to empower the participating directors with the confidence, knowledge and connections that they can use to go on and direct a feature film, drama or scripted series.

The Incubator is intended primarily for emerging debut directors of feature film (drama or documentary), but will also consider those wishing to establish careers in TV drama and scripted content.

Applicants must apply with a project, but the Incubator is primarily focused on filmmaker development, not project development.

The objectives of the Incubator are:

  • Increase the number of women directing features and TV drama.
  • Connect producers, broadcasters and funders with female directors with a view to getting more female-centric stories into and through development.
  • Create networking opportunities for women directors to further their projects and careers.
  • Inspire and encourage women directors to passionately pursue feature film and drama directing careers through interaction with successful women who serve as role models.
  • Improve directors’ understanding of the business of film and television drama.
Workshops

Participants will attend five one-day workshops across 2021 with the first scheduled to take place in late April. All workshops are intended to be held in Auckland, and a travel allowance will be available for participants based in other regions.

Participants need access to a computer (recommended) or another device to participate online via Zoom, if the workshops are affected by COVID-19 Alert Levels.

The workshops are individually themed to provide specific knowledge, networks, skills, and inspiration that enable participants to advance themselves and their careers. As the global screen industry undergoes constant change at this time, DEGNZ will remain flexible as to the actual content of the programme, seeking to incorporate information and opportunities that are relevant.

 


Eligibility

All applicants will be expected to have a good level of directing experience with scripted content, such as acclaimed web series, shorts with festival success, TV commercials, or broadcast content.

Applicants must:
  1. Have an active project (feature film, documentary feature, telefeature, TV/online drama or scripted series) in development that has never been presented to a broadcaster or funder. It is preferable that the project is at least at first draft script but if not available, there must be a detailed Writer’s Treatment for the project. A Director’s Treatment that includes Style, Tone, Imagery, Look & Feel, etc. is NOT requested. The applicant does not have to be the writer on the project.
  2. Have experience as a director of scripted content (drama, comedy) or documentary in the form of the project they are submitting, i.e. if you are applying with a narrative drama project, you must have experience directing narrative drama or if it’s comedy, experience directing comedy, etc.
  3. Have a directing credit on one of the following:
    • a short film selected for one of the NZFC’s Recommended Short Film Festivals, the New Zealand International Film Festival, Show Me Shorts Film Festival or any regional film festival in New Zealand. You need to supply in your filmography and links section the Festival Name, Year of Selection, and a link to the full film or content selected, for viewing purposes.
    • a commissioned scripted one-off or series by a broadcaster or digital platform. You need to supply in your filmography and links section the Broadcaster or Platform Name, Year of First Broadcast/Play, and a link to content commissioned, for viewing purposes.
  4. For feature film, be a debut director.
  5. Be available to participate in all workshops.
  6. Identify as female and be of Māori, Pacific Island, Pan-Asian or other POC heritage.
  7. Be a NZ Citizen or permanent resident.
Membership

Selected participants must be DEGNZ Full members for the duration of the Incubator programme.

 


How to Apply

Application Deadline: 9AM, Monday 12 April 2021

Application Requirements:

  1. A completed DEGNZ Women Filmmakers Incubator Application Cover Sheet (PDF 291KB).
  2. A one-page synopsis of the project with the ending revealed.
  3. A maximum two-page letter stating what your career goals are and why you want to participate in this Incubator.
  4. A one-page bio (not a CV).
  5. A filmography and links to completed work that supports the project you are including with this application. Include details as per eligibility requirement 3.

Compile your documents into one single PDF in the order matching requirements 1 – 5.

Give the single PDF the following naming convention: (YourName)_DEGNZWomenFilmmakersIncubator_2021

Send your application to admin@deganz.co.nz with DEGNZWFI2021 in the subject line.

Selection Process

A selection panel will shortlist candidates. Shortlisted candidates must be available for a one-on-one interview via Zoom to be held in the week of April 12. Getting an interview does not imply that you have been selected for the Incubator.

If shortlisted, you will be expected to immediately supply prior to the interview a detailed Writer’s Treatment of your active project (different to your 1-page synopsis). The treatment needs to be within a minimum of 5 pages to a maximum of 10 pages.

The Incubator participants will be selected from the shortlist following the interview.

Decisions will be final and no correspondence will be entered into.

 

The Incubator is made possible thanks to the generous support of the New Zealand Film Commission.

NZFC


Questions about the Incubator?

Tui Ruwhiu
Executive Director
tui@deganz.co.nz
+64 9 360 2102