Making the Intangible Tangible

On July 24, esteemed documentary director Leanne Pooley will explore how a director crafts and communicates the tone of a film, a fine finish to our workshop series on tone for 2021, which seeks to pin down this elusive subject.

When you are dealing with the stories of real people and portraying them on screen, getting the tone wrong can lead to significant problems. Tone is part of everything a documentary director does when approaching a story. It’s part of the narrative, the pace, the look, the music.

Tone is part of every decision a director makes, and in this workshop, Leanne will share practically using examples from her films on how directors make these decisions.

About Leanne Pooley

A documentary filmmaker for over 25 years, Leanne has directed films all over the world and has won numerous awards (including Best Documentary at TIFF). Leanne is a New Zealand Arts Laureate, a member of The Academy of Motion Picture Arts and Sciences and was named an “Officer of the New Zealand Order of Merit” for Services to Documentary Filmmaking in the 2017 New Year’s Honours List.

Her work includes The Girl on the Bridge on suicide survivor and activist Jazz Thornton, We Need to Talk About A.I. for Universal Pictures and GFC, animated feature documentary 25 April and acclaimed local box office success Topp Twins: Untouchable Girls.

 

Who’s it for?

Documentary directors wanting to better understand tone – you’ll come away with useful ideas that can be applied to your own process, whether you’re directing on your first short film or moving onto longer content (e.g. a first feature documentary, a webseries).

Workshop Details

When: Saturday 24 July 2021, 9:30am – 4pm

Where: Saint Columba Centre, 40 Vermont Street, Ponsonby, Auckland 1011

Price:

DEGNZ member – Free
Non-member – $95

Lunch, tea and coffee included.

Travel Allowances

DEGNZ Full members based outside of Auckland can apply to the Guild for travel support up to the value of $250 (incl GST). We have six grants available.

To apply you must meet these criteria:

  1. You live outside of the Auckland region.
  2. You are a NZ Citizen or permanent resident.
  3. You have a confirmed place in one of the Tone workshops.

Please indicate if you wish to apply for a travel allowance when you register. For additional information and criteria, see here.

 

To Apply

Applications close: Tuesday 20 July, 3PM

  1. Submit the application form below.
  2. Email your CV or a bio with filmography to tema@deganz.co.nz. Please include links to your work.

We will then review your application and email you to confirm that you have a place. Spaces are limited and applications will be reviewed as they are received.

Application Form

 

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This initiative is brought to you with the generous support of the New Zealand Film Commission.

NZFC

As part of the Wairoa Māori Film Festival, DEGNZ Incubator alumna Hiona Henare spoke with Tia Taurere-Clearsky (DEGNZ) about her work as a prized Māori film editor, camera operator and international field journalist.

Now living in the Coast Salish Territory in British Columbia, Canada, Tia spoke about the lack of Indigenous editors in the film industry, both male and female, and how she is involved in two programmes as a mentor to hopefully change this by encouraging up and coming Indigenous editors.

Even though she is far away from home, Tia shared how thankful she is to live in a community filled with Indigenous people and how beneficial it is for both herself and her children, that even though being away from Aotearoa can be lonely, being a part of an Indigenous community makes it easier.

Watch the kōrero here:

https://www.facebook.com/watch/?v=2928171774064782

 

 

This past Queen’s Birthday weekend saw the annual Wairoa Māori Film Festival take place, a festival that celebrates Māori cinema, with multiple films by DEGNZ members showcased.

Chantelle Burgoyne with Ocean and Jaimee Poipoi with Guess You were a part of the Mana Wahine Shorts programme.

Karma by Sam Li and Flip by DEGNZ Incubator alumna Jessica Grace Smith screened as part of the festival’s Midnight Madness programme. Flip was edited by Guild member Alex Boyd.

Meanwhile, Hannah Marshall’s Frankie Jean & The Morning Star, edited by Luke Haigh, played in the Aotearoa Shorts programme.

Matariki on the Move

Keep an eye out for Cian Elyse White’s Daddy’s Girl (Kōtiro), edited by Annie Collins, which will screen in local Auckland cinemas as part of the festival’s Matariki on the Move programme (June 24 – July 6). It will play alongside other short and feature-length films, including Merata Mita’s Mauri.

Kia Ora Shorts

Wairoa Māori Film Festival has also curated a list of the best Māori short films in their Kia Ora Shorts programme, screening in Auckland on July 8 – 9. Ngariki Ngatae’s Te Wao Nui, edited by Tia Taurere-Clearsky (DEGNZ), will feature alongside Frankie Jean & The Morning Star and Daddy’s Girl (Kotiro).

If you’re in Tāmaki Makaurau, check out the full programmes and where to watch them here.

A new multi-million dollar film studio has been given resource consent to begin building in Christchurch. Once fully developed, it would be a $100 million facility that could eventually be responsible for 2000 jobs.

DEGNZ member Jordon Mauger is behind the development. Speaking to Stuff, he states that he is currently talking to investors but the plan is to have the studio operational in early 2022.

There is still big international demand to film in Aotearoa and Mauger believes that this new studio will attract big money into the region.

DEGNZ member Julia Parnell’s documentary film SIX60: Till the Lights Go Out is now available to watch free on TVNZ OnDemand. The film follows the incredible rise of SIX60, a student band turned national phenomenon, giving audiences unprecedented access to the Kiwi band’s untold story and featuring a soundtrack comprised of all their hit songs.

SIX60: Till the Lights Go Out premiered on the 23rd of November 2020 to a sold-out crowd at Auckland’s Civic Theatre. It spent four weeks at the top of the box office when it was released in cinemas shortly after.

Speaking to Stuff, Parnell said she began the project simply wanting to document a band making history but discovered an “untold story of ambition and creative vulnerability”.

Watch SIX60: Till the Lights Go Out