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On June 13, before its release in NZ cinemas, DEGANZ is thrilled to be hosting a Film Talk of Nude Tuesday in association with Rialto Cinemas.

Join us for what is sure to be an hilarious night with a screening of Nude Tuesday, followed by a Q&A with director Armagan Ballantyne (DEGANZ) and writer/lead actress Jackie van Beek (DEGANZ), moderated by comedian/actor Chris Parker.

The unique comedy, filled with eccentric characters and a made up language, follows a conservative middle-aged couple who are on a mission to save a failing marriage. The couple end up at a new-age relationship retreat rich in sexual liberation and extreme nudity.

When: Monday 13 June, 7pm
Where: Rialto Cinemas Newmarket, 167-169 Broadway, Newmarket, Auckland

$14.50 concession for Film Industry members!
Standard Adult $20.50

Book now

 

Factual content makes up a great deal of Aotearoa New Zealand’s Screen Industry — stories framed by real people, places, and events. What does it take for an editor to work on anything from a large scale factual series to a one off documentary?

Join us to hear from an experienced panel of factual editors. In this session, moderated by editor and composer Chris Anderton (NZ Wars, Georgie Girl, Salam Rugby), editors Huhana Ruri-Panapa, Phil Holt and Anthea Ede Smith will discuss their careers and the many aspects of their work.

It will be packed full of nuggets of wisdom,  sure to be useful for you, whether you’re an established editor or embarking on your own journey and looking to get a foot in the door.

WHEN: Wed 20 April, 7pm – 8:30pm. The panel will kick-off at 7:15pm
WHERE: Horse & Trap – Loft, 3 Enfield St, Mount Eden, Auckland

Cash bar

Face masks are required to be worn indoors by all attendees. We may shift the event to Zoom at the same date and time if COVID-19 cases are a concern and will notify all registrants.

Parking: Horse & Trap customer carpark and free on-street parking nearby.

DEGANZ members – Free
Non-members – $10
Please register below

Our Payment and Cancellation Policy

Panellists:

Huhana Ruri-Panapa has a long list of credits from feature documentary, television and short films, with short film Waiting screening at TIFF in 2017. Recently she has edited Waiata Anthems, The Walkers and Toa Hunter Gatherer.

Phil Holt has been editing for 20+ years and has edited a diverse range of shows from Motorway Patrol to MasterChef. Most recently, he has edited Moving Houses, hosted by Clarke Gayford, and the relaunch of Grand Designs with new host Tom Webster for TV1.

Anthea Ede Smith has worked in Television in various roles for over 20 years, primarily in post-production. She had the honour of working at Maori Television on staff for its first 6 years, before leaving to freelance as an editor. Recently she has edited First Responders and Lap of Luxury, which she worked on, in part or entirely, from home.

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Today, the Directors and Editors Guild of Aotearoa New Zealand is thrilled to announce the seven female directors selected for the Emerging Women Filmmakers Incubator 2022.

They are Mary-Lyn Chambers, Mīria George, Jolin Lee, Magnolia Lowe, Mia Maramara, Fiona McKenzie and Alison Titulaer.

Now in its sixth year and thanks to ongoing support from Te Tumu Whakaata Taonga New Zealand Film Commision and the Australian Screen Directors Authorship Collecting Society (ASDACS), the Incubator aims to support each talented participant to advance their careers and projects. The programme brings the directors together for five workshops across the year to connect with each other and hear from established screen industry practitioners working in New Zealand and abroad.

We look forward to seeing the participants at our first workshop in May, and extend our thanks to every director who applied.

About the Participants

MARY-LYN CHAMBERS was born in Fiji and raised in Nauru and Aotearoa. She has worked in Los Angeles, London and Doha and is known for narrative stories about inequality in mixed languages. She spent a decade working at the Spirit Awards and the LA Film Festival. She is a directing Fellow from the Sony Pictures Television Diverse Directors Program, Film Independent, and the Alliance of Women Directors.

Prior projects include Karanga, a collaboration with choreographer Merenia Gray funded by CNZ and screened on Sky TV. Her Imagen Award-nominated pilot Tijuana screened at Slamdance, Bentonville, HollyShorts and Content London. Plural of Blood won Best TV Pilot at the 2018 Downtown Los Angeles Film Festival. Debris participated in the UN’s Refugee Voices in Film Conference at the 2016 Cannes Film Festival. Mary-Lyn is known for hiring women and minorities.

MĪRIA GEORGE (Ngāti Kearoa, Ngāti Tuara; Tumutevarovaro, Enuamanu, Kuki ‘Āirani) is a playwright, screenwriter and a director and producer of theatre and film. The portmanteau feature film VAI (Brown Sugar Apple Grunt Productions) premiered at the Berlin International Film Festival in 2019, and marked Mīria’s debut as a writer and director of film.

Originally a live performance installation, Mīria wrote and directed the award-winning short film fire in the water, fire in the sky (Tawata Productions) that premiered at HIFF and screened at NZIFF in 2021. fire in the water, fire in the sky was awarded Special Recognition for Cinematography at the NZIFF. The film will continue to screen around the world in 2022.

Mīria has also created and directed digital content including Big Hair, Don’t Care, a web-series that documents conversations with Māori, Pasifika and Women of Colour artists of theatre and film; and is producing the 15-part series Ahi Kā for the online platform Moana Nui.

JOLIN LEE is an emerging writer/director of Singaporean-Chinese heritage based in Tāmaki Makaurau. She has been working in Aotearoa’s screen industry for the past six years after pivoting from her journalism roots in 2015, directing a number of music videos and short films. Her short film Ur Dead To Me was selected for the Palm Springs Shortfest in 2018.

Jolin also works prolifically in Tāmaki’s commercial industry as a writer and editor, and has found success in this space, going on to work on some of Aotearoa’s best ad campaigns, from the viral Keep it Real Online campaign and educational web series The Eggplant for the Dept. of Internal Affairs, to the widely celebrated Proud to be Māori campaign for Te Whānau o Waipareira. Jolin is also a Creative and Head of Post Production at award-winning Auckland Agency Motion Sickness.

MAGNOLIA LOWE is an award-winning film-maker who is passionate about storytelling. She has a background in directing commercials and is the principal at Magpie Content Creation.

Magnolia’s Newsroom documentary series Water gained official selection in four international film festivals. The series was an award finalist for best direction in the NZ Web Fest, and was best documentary finalist in die Seriale, the Oregon short film festival and the Oregon documentary film festival. She is currently working on her first feature documentary, In the Subduction Zone.

Previous documentaries include Mapping the Messiness, which follows Australian graduate teachers and US and them, a short documentary about the other side of US-Mexico border migration, featuring stories of Americans who left the US to live in Mexico in 1999. Magnolia has also previously written for The Conversation and has co-authored an academic article about documentary film-making as a research method.

MIA MARAMARA is a Filipino-born filmmaker with work that has screened both locally and internationally. Her passion for authentic, trailblazing stories has led her to wear different hats in the industry, most notably as a writer, director, and producer.

In 2021, she wrote and directed Albularyo (Beyond the Veil) for TVNZ OnDemand and TV2, which earned the distinction of being the first Filipino-led drama on New Zealand TV. She also recently directed the short animated documentary Only Human as part of the Loading Docs initiative.

Mia has received funding from the New Zealand Film Commission, New Zealand On Air, Creative New Zealand, and the New Zealand Writers Guild Seed Fund. She has participated in the Fresh Shorts Lab and the Aotearoa Short Film Lab.

In the Philippines, she trained under award-winning producer Bianca Balbuena and worked as a production assistant on Pepe Diokno’s film Above the Clouds.

FIONA MCKENZIE, after gaining her degree, began work with TVNZ in Dunedin, writing and field directing for the children’s department. After her OE and time as a regional TV journalist, she moved to Auckland in 1995 and trained as a Drama Director with South Pacific Pictures. As a freelancer in the late 90’s she directed a variety of programmes and genres including documentary, drama, multi-cam and sketch comedy.

In 1998 her first child was born, with significant disabilities, so work took a back seat and she and her family moved back to rural South Island, from where she continued to make films for galleries, museums, disability groups and other clients.

In 2019/20 she wrote and directed her first narrative short film, Peninsula, which premiered at Tribeca (New York) in June 2021, won its section at Bengaluru and played at Aesthetica and NZIFF that same year.

ALISON TITULAER started in the film and TV industry in front of the camera, studying acting in Auckland, New York, and Vancouver, while gathering experience in the many facets of production by working a variety of crew roles. Learning what makes a great script and an honest performance, Alison naturally switched to the other side of the camera.

She has written and directed several short films, and received the Gaylene Preston WIFT Best Female Director award at the 2018 48 Hour National Finals. Her NZFC Fresh Short funded film, Stella, is embarking on its international festival run, and she is developing her first feature.

Alison freelances as a creative producer and director of commercial content and is one half of the production company Citizen Creative. She lives on the Coromandel Peninsula, is step-mum to 9-year-old Ophelia, and mum to 4-month-old Xavier.


Made possible with the financial support of

NZFC

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The first episode of new documentary series Giants premiered on Māori Television last week and is now available to watch On Demand. Co-edited by DEGANZ member Anthea Ede Smith, Scott Howard, Kaz Miley and Tara Durrant, Giants is a seven-part documentary series that takes a look at legacy, whakapapa, and heritage through the lens of different migrant communities in Aotearoa.

The series tells untold stories from Chinese, Punjabi, Filipino, African, and Samoan migrant communities in Aotearoa. It explores the idea that immigrants ‘stand on the shoulder of giants’, building upon the legacy and whakapapa of their tūpuna.

Episodes of Giants air on Māori Television on Fridays at 9:30pm. They will then become available On Demand.

Written by DEGANZ member Jackie van Beek and directed by fellow member Armağan Ballantyne, unique comedy Nude Tuesday was recently labelled a hidden gem after being promoted at the European Film Market in Berlin.

The film follows a conservative, middle-aged couple, played by Jackie van Beek and Damon Herriman, trying to save a failing marriage with a trip to a new-age relationship retreat rich in sexual liberation and extreme nudity.

Nude Tuesday goes further with its uniqueness by being shot entirely in a made-up language. It was then sent to a few comedians to add their own subtitles. British comedian Julia Davis produced one version of subtitles, whilst Australian comedians Celia Pacquola and Ronny Chieng produced another set. The film will be available with both sets of English subtitles.

Armağan told Deadline that speaking in a made-up language meant that the actors didn’t have to worry about getting their lines right. instead, they could “focus on the tone and emphasis of the emotional exchanges between each other”.

Moreover, in the edit, “We were able to speed up scenes we thought were too slow by literally just cutting out bits of dialogue, knowing that it wouldn’t have the remotest impact on the story” says Jackie.

Well done to Jackie and Armağan. The NZ release date for Nude Tuesday hasn’t been announced yet, but we’re curious as to what to expect out of its two sets of subtitles!