Tag Archive for: screenplay

Script to Screen announced the 2024/23 FilmUp participants, with five of the eight being DEGANZ members. Writer/directors Pulkit Arora, Ella Gilbert (Incubator 2023), Maza White, and Harry Wynn, with 2019 Incubator alum Anna Rose Duckworth, will partake in the six-month professional development and mentorship programme.

FilmUp aims to aid filmmakers in taking the next step in their careers. Through the programme, participants are paired with an industry mentor to receive support for their feature film projects, currently in development. They will also attend three FilmUp Hubs, which include round tables, group workshops, and guest speakers.

Check out the DEGANZ members’ projects and bios below, or see the complete list of participants here.

Pulkit Arora

Soft – Feature Film

Ella Gilbert (Rongowhakaata, Ngāti Kaipoho, Ngāti Kahungunu)

The Desert Road – Feature Film

Ella is an actor, acting coach, and filmmaker from Pukerua Bay. She is committed to making movies that centre on women and celebrate everyday people in Aotearoa. Ella discovered the joys of creating her own work whilst studying at Toi Whakaari. This year, she was selected for DEGANZ’s Emerging Women Directors Incubator and the Write Room Wellington, through which she completed draft one of her debut feature screenplay, The Desert Road. She was also the Director’s Attachment for Rob Sarkie on his feature film, PIKE. In 2022, her short film Mary Mary (funded by Someday Stories) was selected for the Clermont-Ferrand Festival (Short Film Market Picks 2023) and The Sydney Women’s International Film Festival. Her previous films, made on Super8mm, have screened and successfully competed in London, Portugal, Mumbai and Aotearoa.

Maza White

Ruptured – Feature Film

Maza is a writer and director with a rich multicultural perspective, weaving impactful storytelling into diverse narratives. Whether through comedy or drama, Maza draws from her personal experiences to shed light on poignant issues, focusing on those affecting women of colour. Originally from Iran, she earned First Class Honours for her Master’s in Creative Writing from AUT. Her NZFC-funded short film Daughter of God recently secured the Best Screenplay award at the Show Me Shorts Festival and was selected as one of six for NZIFF’s New Zealand’s Best. Currently managing a full writing slate alongside her commissioned TV writing contracts, she is deeply immersed in the development of multiple feature films and TV series across different genres, with the aim of directing some of these projects.

Harry Wynn

Zyzz (Working Title) – Feature Documentary

Harry is a filmmaker from Tāmaki Makaurau. His filmmaking journey began with the documentary Three Ticks Chlöe, produced by The Spinoff and Wrestler, about ChlöeSwarbrick’ss campaign for Auckland Central and the Cannabis Referendum. Young & Hooked on Chemsex, his second documentary, shed light on Auckland’s hidden world of methamphetamine-driven ” party and play’’ scenes. His third documentary, Shred, explored the teen bodybuilding community and the growing issue of ‘bigorexia’’ illuminating a global trend fuelled by platforms such as TikTok. Additionally, TVNZ has picked up Harry’s original concept docu-series, We’ve Always Been Here, which highlights Aotearoa’s queer history through comedy. He is currently developing a feature-length documentary focused on the world-famous bodybuilder and social media star Zyzz, with the support of development funding from Screen Australia.

Anna Rose Duckworth

Put a Baby in Me – Feature Film

Anna has worked in film and television for a decade, both in NYC and Auckland. She adds a distinctly Kiwi sense of humour and explores taboo or challenging themes. Anna has written and directed several short films, including NZFC-funded Pain – screened as part of 2020NZIFF’ssNZ’ss Best Programme, and has gone on to be selected at over 30 international festivals. Anna has also written and directed several self-funded short films: Full V (2021), selected for the Aesthetica Film Festival, and Mum Jeans, which screened at NZIFF 2018. Directing the comedy web series Psusy S2, she won the Best Episodic Jury Prize at the 2018 LA Film Festival. Off the back ofPsusy’ss success, she wrote and directed TVNZ-funded comedy web series Butt Dial. Recent highlights include being awarded an NZWG Seed Grant to develop the feature Put a Baby in Me about queer motherhood and winning the People’s Choice Award for her rom-com short Just Kidding I Actually Love You at Show Me Shorts 2023.

Congrats to the DEGANZ members selected for the first 2023 round of the New Zealand Writers Guild’s (NZWG) Seed Grants! Pulkit Arora (DEGANZ) and Joseph J. U. Taylor (DEGANZ) are two of the six Seed Grant recipients. Fellow members Hweiling Ow (Incubator 2021) and Rouzie Hassanova are the two Seed Advanced Grant recipients.

NZWG offers these grants to writers for the opportunity to be innovative and write a feature they believe in. While the Seed Grant is for emerging and unproduced writers, Seed Advanced acknowledges experienced writers by offering a larger grant and more flexibility around development costs.

Applications are judged through a blind-read process against the three criteria of idea, craft, and voice. This process ensures that the projects selected tell a compelling story and have an audience. It also determines if the writers have a clear and original voice and can turn their idea into a strong screenplay. This round’s judges panel featured Karol Griffiths, Briar Grace-Smith, Victor Rodger, and Nicole Dade.

Check out the projects that DEGANZ members will be working on with the grants:

SEED GRANT

Pulkit Arora

Soft

Away from his home in India for the first time, a teenage boy spends a month learning to be a man from his domineering elder brother in New Zealand. But will his tenderness survive the transition to manhood?

Joseph J. U. Taylor

The Rider

A teenage woman flees her backwater village to become a daredevil rider on ‘The Wall of Death,’ but with international stardom within reach, tragedy strikes, forcing her home to the prospect of never riding again.

SEED ADVANCED GRANT

Hweiling Ow

Pohpoh Wants to Die

When a grandmother turbo charges her bucket list after her husband’s funeral, her highly strung daughter desperately tries to rein her in from the world of drugs, casual sex, and social media stardom.

Rouzie Hassanova

Tulpar

11 year old Sefa Hasan is struggling to find her feet in Aotearoa New Zealand, but in order to fit in, she needs to embrace her true self.

Best of luck to Chaz Harris (DEGNZ), who was recently announced as a finalist in the ScreenCraft 2021 Family Screenplay competition for his family/fantasy screenplay The Glassmaker. Chaz was also a Quarterfinalist in the 2021 BlueCat Screenplay Competition for his sci-fi/thriller screenplay Endurance.

Following the creation of his award-winning web series End of Term, and producing independent feature film Encounters, Chaz recently signed with LA-based Manager John E. Ferraro of Valleywood Entertainment in March.

Guild Table Reads

Calling for actors and directors/writers with scripts for a Table Read on Saturday 30 November!

Round 4 opens on 21 October and closes 15 November, 3pm.

A core cast – max six actors – together with a writer+director team OR writer/director will collaborate on each script-in-development table read. The script must have a director attached and have been through a development process.

Four Table Reads per year on Saturdays @NZWG HQ in Grey Lynn.

Table Reads LogoHow to Submit a Script

DEGNZ and NZWG members are invited to apply for the script component.

Submit a full-length draft feature film script for your name to go into the draw for a day-long table read (names remain for subsequent draws).

WRITER + DIRECTOR* (OR WRITER/DIRECTOR) – Submit script via email to GuildHQ@nzwg.org.nz.

Eligibility:

Please check these details before you enter.

*Both must be a member(s) of NZWG and DEGNZ:

  • A solo Writer/Director must be a member of both NZWG and DEGNZ.
  • In a Writer-Director team, the Writer must be a member of NZWG, AND the Director must be a member of DEGNZ.

When you enter, please include this information:

  • name of writer, and if they belong to NZWG
  • name of director, and if they belong to DEGNZ

Call for Actors for Table Read #4

We are looking for actors to work together with writers and directors on a script-in-development table read. Actors must be members of Equity New Zealand.

Actors, please register your interest below and the NZWG will contact you if you are cast. You will receive a gift card as a nominal appreciation for your participation.

Actor registration has been extended to Monday 18 November, 9am.

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2019 Table Reads

Table Read #1

Open: 21 January
Close: 15 February
Table Read: Sat 23 February

Table Read #2

Open: 15 April
Close: 10 May
Table Read: Sat 18 May

Table Read #3

Open: 8 July
Close: 2 August
Table Read: Sat 10 August

Table Read #4

Open: 21 October
Close: 15 November
Table Read: Sat 30 November (New date)

A joint initiative brought to you by NZWG, DEGNZ & EQUITY Foundation
With warm thanks to the New Zealand Film Commission

Table Reads Logo

Calling for actors and directors/writers with scripts for a Table Read on Saturday 10 August!

Round 3 opens on 8 July and closes 2 August.

A core cast – max six actors – together with a writer+director team OR writer/director will collaborate on each script-in-development table read. The script must have a director attached and have been through a development process.

Four Table Reads per year on Saturdays @NZWG HQ in Grey Lynn.

How to Submit a Script

DEGNZ and NZWG members are invited to apply for the script component.

Submit a full-length draft feature film script for your name to go into the draw for a day-long table read (names remain for subsequent draws).

WRITER + DIRECTOR* (OR WRITER/DIRECTOR) – Submit script via email to GuildHQ@nzwg.org.nz.

Eligibility:

Please check these details before you enter.

*Both must be a member(s) of NZWG and DEGNZ:

  • A solo Writer/Director must be a member of both NZWG and DEGNZ.
  • In a Writer-Director team, the Writer must be a member of NZWG, AND the Director must be a member of DEGNZ.

When you enter, please include this information:

  • name of writer, and if they belong to NZWG
  • name of director, and if they belong to DEGNZ

Call for Actors for Table Read #3

We are looking for actors to work together with writers and directors on a script-in-development table read. Actors must be members of Equity New Zealand.

Actors, please register your interest below and the NZWG will contact you if you are cast. You will receive a gift card as a nominal appreciation for your participation.

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2019 Table Reads

Table Read #1

Open: 21 January
Close: 15 February
Table Read: Sat 23 February

Table Read #2

Open: 15 April
Close: 10 May
Table Read: Sat 18 May

Table Read #3

Open: 8 July
Close: 2 August
Table Read: Sat 10 August

Table Read #4

Open: 21 October
Close: 15 November
Table Read: Sat 23 November

A joint initiative brought to you by NZWG, DEGNZ & EQUITY Foundation
With warm thanks to the New Zealand Film Commission