Posts

DEGANZ presents an LGBTQ+ Film Festival Directors Q&A

On June 7, join us for a panel livestream with film festival directors James Wooley (Frameline San Francisco), Andrea Coloma (MIX COPENHAGEN) and Spiro Economopoulos (Melbourne Queer Film Festival).

Being some of the oldest Queer film festivals in the world, each have their own rich histories and stories of how they came to be. In this panel, moderated by filmmaker Kayne Ngātokowha Peters (John the Baptist), our international guests will discuss how their festivals began; the social, political and creative landscape of gay cinema; and how New Zealand filmmakers can submit their films and join their global communities.

Towards the end, we will welcome questions from our online audience.

WHEN: Tue 7 June 2022, 7pm – 8:30pm NZST
WHERE: DEGANZ YouTube Channel

Free live streamed event

RSVP/Follow the event on Facebook

Panellists:

James Wooley (he/him/his) is the Executive Director of Frameline San Francisco, which was founded in 1977 and is the longest-running, largest and most widely recognised LGBTQ+ film exhibition event in the world. Originally from Australia, James has over 10 years’ experience working on over 20 large-scale film festivals, including Sydney, Melbourne, and Brisbane International Film Festivals.

Andrea Coloma (she/her) is the festival director and programmer for MIX COPENHAGEN, one of the oldest LGBTQ+ film festivals in the world, founded in 1986, as well as the leading LGBTQ+ film festival in the Nordics. Alongside MIX COPENHAGEN, Andrea has been involved in different projects from the development of Norrebro Pride in Copenhagen, which centres QTBIPOCs, to starring on the Danish TV web series, Pain in the Ass (Ondt i Roven) by Rikke Kolding which has been referred to as a “queer game change in Danish TV”.

Spiro Economopoulos (he/him) is the Program Director for the Melbourne Queer Film Festival, one of the largest and oldest LGBTI+ film festivals in the southern hemisphere, beginning in 1991. During his seven years in the role, Spiro has lead the curatorial vision of the festival to enlighten, entertain and celebrate, while delivering a world-class queer film festival.

Factual content makes up a great deal of Aotearoa New Zealand’s Screen Industry — stories framed by real people, places, and events. What does it take for an editor to work on anything from a large scale factual series to a one off documentary?

Join us to hear from an experienced panel of factual editors. In this session, moderated by editor and composer Chris Anderton (NZ Wars, Georgie Girl, Salam Rugby), editors Huhana Ruri-Panapa, Phil Holt and Anthea Ede Smith will discuss their careers and the many aspects of their work.

It will be packed full of nuggets of wisdom,  sure to be useful for you, whether you’re an established editor or embarking on your own journey and looking to get a foot in the door.

WHEN: Wed 20 April, 7pm – 8:30pm. The panel will kick-off at 7:15pm
WHERE: Horse & Trap – Loft, 3 Enfield St, Mount Eden, Auckland

Cash bar

Face masks are required to be worn indoors by all attendees. We may shift the event to Zoom at the same date and time if COVID-19 cases are a concern and will notify all registrants.

Parking: Horse & Trap customer carpark and free on-street parking nearby.

DEGANZ members – Free
Non-members – $10
Please register below

Our Payment and Cancellation Policy

Panellists:

Huhana Ruri-Panapa has a long list of credits from feature documentary, television and short films, with short film Waiting screening at TIFF in 2017. Recently she has edited Waiata Anthems, The Walkers and Toa Hunter Gatherer.

Phil Holt has been editing for 20+ years and has edited a diverse range of shows from Motorway Patrol to MasterChef. Most recently, he has edited Moving Houses, hosted by Clarke Gayford, and the relaunch of Grand Designs with new host Tom Webster for TV1.

Anthea Ede Smith has worked in Television in various roles for over 20 years, primarily in post-production. She had the honour of working at Maori Television on staff for its first 6 years, before leaving to freelance as an editor. Recently she has edited First Responders and Lap of Luxury, which she worked on, in part or entirely, from home.

Registration Form

Loading…

We invite members to join WIFT and DEGNZ on the evening of July 29 for the Director-Editor Relationship in Wellington, back by popular demand.

We thoroughly enjoyed hearing from the Auckland panellists – directors Pietra Brettkelly and Roseanne Liang, editors Cushla Dillon and Jochen FitzHerbert, moderated by director Leanne Pooley – at the beginning of this month. With another superb line-up, you’ll want to reserve your seat early!

The Director-Editor relationship

The Content: How does a director find the right editor? At which point in the process do you bring the editor in? Understanding the parameters of each role and making sure your contract reflects that. Who has creative say? How important are the editor’s fresh pair of eyes? How do the directors and editors navigate the test screening process? What happens if you change editor over the course of the project?  How does the editor help manage the relationship with the commissioner / client? Who leads when? Maintaining a healthy, collaborative relationship that has longevity over more than one project.

So many questions! Come along and get yours answered by this extremely experienced panel:

Panellists:

Dame Gaylene Preston, DNZM, has been a writer/director/producer since 1978, and made the classics of New Zealand cinema Mr Wrong, Ruby and RataWar Stories Our Mothers Never Told Us and Home By Christmas. Her dramatic TV series include Bread & Roses and Hope and Wire, plus many documentaries, her latest being the feature, My Year With Helen. Her work has screened in most high profile international film festivals including Sundance, Toronto, London, and Sydney. Dame Gaylene is the New Zealand Arts Foundation’s inaugural Filmmaker Laureate (2001).

Pietra Brettkelly, recipient of the 2020 South Pacific Pictures Award for Achievement In Film for her acclaimed documentary feature Yellow Is Forbidden. Pietra is a three-time Oscar-selected documentary filmmaker, a member of the Academy of Motion Pictures Arts and Sciences and an Arts Laureate of New Zealand.

Alex Boyd (they/them) editor of the acclaimed recent feature film Cousins, they have also edited all four seasons of Wellington Paranormal. They enjoy working across genres, and have edited documentary, drama, sci-fi, comedy, and animation.

Annie Collins is best known for her extensive resume of documentaries, having edited such landmark productions as Patu!, The Neglected Miracle and Gardening with Soul. The talented editor has also won awards for her work on Scarfies, Two Little Boys and Out of the Blue, with Coming Home in the Dark having premiered to critical acclaim at Sundance and due to be released here in August.

Lala Rolls 
Fijian-European Lala Rolls’ projects often involve explorations of Māori and Polynesian culture. She directs as much as she edits, often doing both on the same project. Rolls has been a multiple finalist at New Zealand awards ceremonies for her work on acclaimed drama series The Insider’s Guide to Happiness and the Rita Angus documentary Lovely Rita. She edited The Man in the Hat (about art dealer Peter McLeavey), and 2018’s Celia, about the late equality advocate Celia Lashlie, and directed, produced and edited the 2020 feature film Tupaia’s Endeavour.

WIFTNZ and DEGNZ members free, non-members $15 cash – includes a drink and nibbles.

Date: Thu 29 July 2021
Location: Taia Studios, 4 Bay Road, Kilbirnie, Wellington
Time: 6pm drinks for a 6.30pm sharp start

RSVP essential to office@wiftnz.org.nz

Rūrangi

We’re excited for new homegrown drama Rūrangi to release at Rialto Cinemas.

Burnt-out trans activist Caz Davis returns to Rurangi, the rural dairy community he fled ten years ago, hoping to reconnect with his father, who hasn’t heard from him since before Caz transitioned. As father and son slowly reconcile, Caz finds himself swept up in the environmental fight which is dividing the town.

Join us for the Film Talk event where writer/producer Cole Meyers and producer Craig Gainsborough will do a Q&A after the screening of the film.

We look forward to seeing you there!

When: Friday 5 February 2021 at 7:45pm
Where: Rialto Cinemas Newmarket, 167-169 Broadway, Newmarket, Auckland

Film Industry Member tickets $12

Book now

The Turn of the Screw

Having changed the location of Henry James’ Victorian ghost story to present-day Wellington, director Alex Galvin presents audiences with a fresh adaption of The Turn of the Screw. Join us for a screening of the film, which will be releasing in select NZ cinemas Jan-Feb. The screening will be followed by a panel discussion with members Alex Galvin (director) and Ed Sampson (editor/producer), alongside Greer Phillips (lead actor) and Emma Beale (producer).

The film follows a young actress, Julia, who is a last minute replacement in a theatre production of the Henry James classic The Turn of the Screw. Julia becomes immersed in the gothic horror production. As her terror increases, she suspects it’s not the fictitious house that’s haunted, but the theatre itself.

When: Friday 22 January 2021 at 7:45pm
Where: Rialto Cinemas Newmarket, 167-169 Broadway, Newmarket, Auckland

Film Industry Member tickets $12

Book now