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DEGANZ released the standard feature film editing agreement last September to help strengthen the negotiating position of editors.

To give you confidence to use this template contract, we are holding free workshops with lawyer Anchali Anandanayagam of Hudson Gavin Martin. A great communicator, Anchali will break the contract down so that it is easy to understand.

Why understanding your contract is important

To get the best contract for you and to truly understand what you are legally binding yourself to when you sign, you need to learn in detail what every clause means and where the opportunities lie for negotiation.

What will the workshop cover?

  • Understanding the Guild’s standard feature film editing agreement
  • Which parts can I negotiate?
  • What do these terminologies and clauses mean?
  • The implications
  • How you can apply this knowledge
  • Q&A time

Who is it for?

DEGANZ members – open to all membership levels. We highly recommend that any member working or planning to work as a feature film editor (narrative or documentary) attend.

Attendee Preparation

Please read the DEGANZ standard film editing agreement beforehand.

Facilitator

Tui Ruwhiu, DEGANZ Executive Director

About Anchali Anandanayagam

AnchaliAnchali is a partner at Hudson Gavin Martin – a leading media, technology and IP law firm. Anchali has specialised in media, technology and IP for the last 18 years. An expert in all legal aspects of tech, media and telecommunications, Anchali often advises clients in NZ and overseas on the regulation of new and emerging technologies, data security and privacy, commercialisation of IP, and works with local and international content producers and suppliers to the media sector. Anchali’s clients in the media industry range from established media companies and production houses, VFX and post-production companies, and independent producers, directors and writers.

With qualifications from the University of Otago, Anchali gained her experience both here in New Zealand, and London. Anchali is highly recognised in the leading legal international rankings. Chambers and Partners said Anchali is not only “an experienced lawyer with amazing technical skills,” but also “a relationship builder who can deal with people at all levels both within and between organisations.” They go on to say: “There’s a real benefit having her on our side.” Anchali is a keen advocate of purpose driven organisations and sits on the board of Women in Film and Television New Zealand.

Register for a Session

Monday 9 May 2022, 6:30pm – 8:30pm
Zoom Meetings
Register now >

Tuesday 31 May 2022, 7pm – 9pm
Zoom Meetings
Register now >

 


DEGANZ received funding from Te Tumu Whakaata Taonga New Zealand Film Commission’s Screen Sector Capability Fund. The fund supports the New Zealand screen sector to develop the business and technical capability to meet the challenges of a COVID-19 and post COVID-19 environment and is part of the New Zealand Government’s Screen Sector Recovery package.

NZFC

Co-directed by DEGANZ member Niva Kay, Emily McDowell, Nia Phipps and Phil Stebbing, High Tide Don’t Hide is now available on TVNZ OnDemand.

Documenting the 2019 School Strike for Climate movement, the feature documentary follows a group of teenagers preparing for the New Zealand protest. As the movement comes together, a painful truth emerges; climate change disproportionately affects indigenous people.

To ensure the effect of climate change on Pacific nations is acknowledged, Kiwi-Pasifika poet Aigagaleifili Fepulea’i Tapua’i forms a breakaway group to draw focus to this climate truth.

But planning the movement was the easy part. Kiwi teens face an ongoing struggle to be heard, as the tides continue to rise. Click here to watch High Tide Don’t Hide.

The Directors and Editors Guild of Aotearoa New Zealand is now accepting applications for the sixth Emerging Women Filmmakers Incubator.

In 2022, the talent-focused development programme will mentor a handful of selected female directors from Aotearoa New Zealand.

Background

The overall vision of the Incubator is to empower the participating directors with the confidence, knowledge and connections that they can use to go on and direct a feature film, drama or scripted series.

The Incubator is intended primarily for emerging debut directors of feature film (drama or documentary), but will also consider those wishing to establish careers in TV drama and scripted content.

Applicants must apply with a project, but the Incubator is primarily focused on filmmaker development, not project development.

The objectives of the Incubator are:

  • Increase the number of women directing features and TV drama.
  • Connect producers, broadcasters, funders and other industry professionals with female directors with a view to getting more female-centric stories into and through development.
  • Create networking opportunities for women directors to further their projects and careers.
  • Inspire and encourage women directors to passionately pursue feature film and drama directing careers through interaction with successful women who serve as role models.
  • Improve directors’ understanding of the business of film and television drama.

Workshops

Participants will attend five one-day workshops across 2022 with the first scheduled to take place in May. All workshops are intended to be held in Auckland, and a travel allowance will be available for participants based in other regions. For safety reasons, all applicants need to have had at least two doses of the COVID-19 vaccine.

Participants need access to a computer to participate via Zoom if the workshops are affected by COVID-19 traffic light settings.

The workshops are individually themed to provide specific knowledge, networks, skills, and inspiration that enable participants to advance themselves and their careers. As the global screen industry continues to undergo constant change, DEGANZ will remain flexible as to the actual content of the programme, seeking to incorporate information and opportunities that are relevant.

 


Eligibility

All applicants will be expected to have a good level of directing experience with scripted content, such as acclaimed web series, shorts with festival success, TV commercials, or broadcast content.

Applicants must:

  1. Have an active project (feature film, documentary feature, telefeature, TV/online drama or scripted series) in development that has never been presented to a broadcaster or funder. It is preferable that the project is at least at first draft script but if not available, there must be a detailed Writer’s Treatment for the project. A Director’s Treatment that includes style, tone, imagery, etc. is NOT requested. The applicant does not have to be the writer on the project.
  2. Have experience as a director of scripted content (drama, comedy) or documentary in the form of the project they are submitting, i.e. if you are applying with a narrative drama project, you must have experience directing narrative drama, or if it’s comedy, experience directing comedy, etc.
  3. Have a directing credit on one of the following:
    • a short film selected for one of the NZFC’s Recommended Short Film Festivals, the New Zealand International Film Festival, Show Me Shorts Film Festival or Doc Edge Festival.
    • a commissioned scripted one-off or series by a broadcaster or digital platform.
    • a self-funded web series that has won or been nominated for an award.
  4. For feature film, be a debut director.
  5. Be available to participate in all workshops and have a valid My Vaccine Pass.
  6. Identify as female.
  7. Be a NZ Citizen or permanent resident.

Membership

Selected participants must be DEGANZ Full members for the duration of the Incubator programme.

Selection Process

A selection panel will shortlist candidates. Shortlisted candidates must be available for a one-on-one interview via Zoom in mid-March. Getting an interview does not imply that you have been selected for the Incubator.

If shortlisted, you will be expected to immediately supply prior to the interview a detailed Writer’s Treatment of your active project (different to your 1-page synopsis). The treatment needs to be within a minimum of 5 pages to a maximum of 10 pages.

The Incubator participants will be selected from the shortlist following the interview.

Decisions will be final and no correspondence will be entered into.

 


How to Apply

Application Deadline: 10AM, Friday 18 February 2022

Application Requirements:

  1. A completed DEGANZ Women Filmmakers Incubator Application Cover Sheet.
  2. A 1-page synopsis of the project with the ending revealed.
  3. A maximum 2-page letter stating what your career goals are and why you want to participate in this Incubator.
  4. A 1-page bio (not a CV).
  5. A filmography and any additional links to completed work that supports the project you are including with this application.

Compile your documents into a single PDF file* in the order matching requirements 1 – 5.

Give your PDF the following naming convention:
(YourName)_DEGANZWomenFilmmakersIncubator_2022

Send your application to admin@deganz.co.nz with DEGANZWFI2022 in the subject line.

* Online PDF merge tool

 

The Incubator is made possible thanks to the generous support of the New Zealand Film Commission.

NZFC


Questions about the Incubator?

Tui Ruwhiu
Executive Director
tui@deganz.co.nz
+64 21 659 950

Congratulations to DEGANZ members whose films have been selected for this year’s Hawai’i International Film Festival (HIFF) in November. Furthermore, several films will be having their US Premieres.

Annually, an average of 150 narrative features, documentaries and shorts are chosen from around 1,500 films. HIFF endeavours to recognise new and emerging talent. In addition, the festival spotlights work that explores social and cultural issues.

High Tide, Don’t Hide is a full-length documentary about teenagers discovering that activism, authority and awareness make for a steep learning curve in the race for existence. The film was written by Niva Kay, DEGANZ member and participant in our Emerging Women Filmmakers Incubator 2021. Niva is one of four producer-directors on this film, which is having its US Premiere at HIFF.

Earlier this year, High Tide, Don’t Hide had its World Premiere at the New Zealand Doc Edge Festival, where it won an award for Best New Zealand Editing and a Special Mention in the Best New Zealand Feature category.

The short film Disrupt (pictured above) follows the aftermath of a burglary gone wrong. In it CJ must choose between his whānau or his next fix. DEGANZ member Lisa Greenfield was the editor with Margot Francis (DEGANZ board member) as the supervising editor.

Celia Jasper, writer, director and editor of short film Milk, explores what happens when a young girl sees an old man unable to pay for his milk. It recently won Best Editing at the Venezia Shorts in Italy and is nominated for Best Screenplay at Show Me Shorts.

Teine Sā is a supernatural anthology series based on legends of the Pacific. After centuries of slumber, the ‘Teine Sā’ or ‘the ancient ones’ have been evoked to come into the world once again. Having its US Premiere at HIFF, Teine Sā has a couple of DEGANZ members behind it. Jack Woon was the editor, while Zoey Zhao worked on episode 3 as his assistant editor. Zoey is part of our Incubator 2021.

Inspired by the Black Panther Party in the USA, a group of young radicals from New Zealand follow suit in The Panthers. The six-part mini series made history as the strongest opening week for a drama on TVNZ OnDemand. DEGANZ member Vea Mafile’o directed two episodes.

Director Kathy McRae (DEGNZ) and her team are independently funding a feature documentary that dives deeper into themes explored in Water Baby, their Loading Docs short film.

Water Baby (2019) documented freediving couple Sachiko Fukumoto and William Trubridge’s quest to have a water birth in the ocean. The short documentary has been watched by around 8 million people and is used by educators around the world, motivating expecting parents to explore birthing options

Its sequel, Pacific Mother, will explore the disconnection between the global default maternity system and the needs of families. The filmmaking team are running a live Kickstarter campaign to help them raise NZD 30,000 to help finish the film, including telling the story of Aotearoa’s maternity system.

In Pacific Mother, Sachiko travels from Japan to Hawaii, Tahiti, the Cook Islands and New Zealand to connect with strong ocean women, whose interwoven stories about birth and parenthood inspire a more traditional, connected way of life.

Please support Kathy McRae’s film if you can! Find more information about Pacific Mother on their Kickstarter page. Their fundraising campaign has 19 days remaining.

Director Kathy McRae and producer Migiwa Ozawa in Hawai’i before Covid-19 shut the borders in 2020.